CLASS OF 1978 - WALTER PANAS HIGH SCHOOL

Celebrating 30+ Years

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Fri 11/28/08: Turkey Bowl

Fri 11/28/08: Pre-Party

Sat 11/29/08: The Reunion

Sun 11/30/08: After-Party

Wha' Happened?

There and Back Again

The Last Thirty Years...

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Epilogue

In Memoriam

What passion cannot music raise and quell? 
Dryden

 
 
Gary Tepper
 
James Statom
 
Paul DePaoli, Casey Stengle, TS, ?, Mike Perrelle, Jerry Kolosky
This area is to keep the committee up to date on what songs you would like to hear at the Reunion.
Post the music you love by clicking on the Message Board and adding your favorite tunes. 

The List As of 11-10-08: 
Keep ‘em coming, we haven’t scratched the surface yet
…

Aerosmith:  Combination
Aerosmith:  Walk this Way
Aerosmith:  Back In The Saddle
Al Green:  Let's Stay Together**
Al Hirt:  Green Hornet**
Alice in Chains: Them Bones
Allman Brothers Band:  Statesboro Blues**
Allman Brothers Band:  One Way Out**
Allman Brothers Band:  Whipping Post
Allman Brothers Band:  Blue Sky
Allman Brothers Band:  Ramblin' Man**
Allman Brothers Band:  Stormy Monday
Allman Brothers Band:  Drunken Hearted Boy
Allman Brothers Band: Mountain Jam (rare 60 min. version-see B. Haviland)
The Animals:  Wild Thing**
Anita Ward:  Ring My Bell**
Aretha Franklin:  Respect**
Asleep At The Wheel:  Route 66**
Atlanta Rhythm Section:  So Into You
Average White Band:  Pick Up the Peices**
Bad Company:  Rock Steady
Bad Company:  Bad Company
The Beatles:  O-Bla-Di, O-Bla-Da**
The Beatles:  Blackbird**
The Beatles: Here Comes the Sun**
The Beatles:  Twist and Shout**
The Beatles:  In My Life**
Bedlam:  Magic Carpet Ride
Bill Withers:  Lean On Me**
Billy Joel:  Piano Man**
Billy Joel:  Just the Way You Are**
Billy Joel:  The Stranger**
Billy Joel:  Only The Good Die Young
Billy Preston:  Will It Go Round In Circles
Bob Dylan:  Rainy Day Woman #12 & 35**
Bob Dylan:  Lay Lady Lay**
Bob Dylan:  Like A Rolling Stone**
Bob Dylan:  Maggie's Farm
Bob Dylan:  Knocking On Heaven's Door**
Bob Seeger:  Turn The Page**
Bob Seeger:  Hollywood Nights
Bobby Darin:  Sailing**
Bobby Darin:  Mack The Knife**
Bobby Darin: More**
Bobby Fuller Four:  I Fought The Law**
Boston:  Don't Look Back
Boston:  More Than A  Feeling
Boz Scaggs:  Loan Me A Dime
Bruce Springsteen:  Tenth Avenue Freezeout**
Bruce Springsteen:  Born to Run**
Bruce Springsteen:  Racing in the Street**
Bruce Springsteen:  Rosalita**
Bruce Springsteen:  Backstreets**
Bruce Springsteen:  Jungleland
Bruce Springsteen:  Kitty's Back
Bruce Springsteen:  Thunder Road**
Carole King:  It's Too Late**
Cat Stevens:  Father and Son**
Cat Stevens:  Moonshadow**
Charlie Daniels Band:  Carolina (I Remember You)**
Charlie Daniels Band:  Saddle Tramp
Charlie Daniels Band:  Devil Went Down to Georgia
Cher:  Gypsies, Tramps and Thieves**
Chicago:  25 or 6 to 4
Chicago:  Saturday in the Park**
Chicago:  Color My World
Chubby Checkers:  The Twist**
Climax Blues Band:  Couldn’t Get it Right**
Creedence Clearwater Revival:  Have You Ever Seen The Rain**
Creedence Clearwater Revival:  Bad Moon Rising**
Crosby, Stills, Nash & Young:  Suite Judy Blue Eyes**
Crosby, Stills, Nash & Young:  Teach Your Children**
Dave Brubeck:  Take Five**
Dave Mason:  Feeling Alright**
David Bromberg:  Mr. Bojangles**
David Essex:  Rock On
David Gray:  Babylon**
Dean Martin:  Sway**
Derek and The Dominoes:  Layla**
Derek and The Dominoes:  Why Does Love Have To Be So Sad
Derek and The Dominoes:  Keep On Growing
Derek and The Dominoes:  Bell Bottom Blues
Dobie Grey:  Drift Away
Don McLean:  American Pie**
Donna Summer:  Love to Love You Baby
Donna Summer:  Heard it on the Radio
Donna Summer:  Last Dance
Doobie Brothers:  It Keeps You Running**
Doobie Brothers:  China Grove
Doobie Brothers:  Black Water**
Doobie Brothers:  Another Park, Another Sunday
Duane Allman:  Please Be With Me**
Dusty Springfield:  Son of a Preacher Man**
Dusty Springfield:  The Look of Love**
The Doors:  Strange Days
Eagles:  Lyin' Eyes**
Eagles:  Life in the Fast Lane**
Eagles:  Desperado**
Eagles:  Hotel California**
Eagles:  Take it Easy**
Earth Wind and Fire:  Shining Star**
Earth Wind and Fire:  September**
Earth Wind and Fire:  Sing A Song**
Edgar Winter Group:  Frankenstein
Edwin Starr:  War
Elliot Smith: Tomorrow Tomorrow**
Elton John:  Your Song**
Elton John:  Daniel**
Elton John:  Honky Cat**
Elton John:  Saturday Night
Elton John:  Friends**
Elvis Costello:  She
Emerson Lake and Palmer:  Fanfare for a Common Man
Emerson Lake and Palmer:  Lucky Man
Eric Clapton:  Blues Power
Eric Clapton:  Lay Down Sally**
Eric Clapton:  Hand Jive**
Eric Clapton:  After Midnight**
Eric Clapton:  Wonderful Tonight**
Etta James:  At Last**
The 5.6.7.8's:   Woo Hoo**
The Faces:  Maybe I'm Amazed**
The Faces:  Three Button Hand Me Down**
Fleetwood Mac:  Say You Love Me
Fleetwood Mac:  Rhiannon
Fleetwood Mac:  Landslide**
Fleetwood Mac:  The Chain
Fleetwood Mac:  Secondhand News
Foo Fighters: Let it Die
Foreigner:  Feels Like the First Time
The Foundations:  Build Me Up Buttercup**
Four Tops:  I Can't Help Myself**
Frank Sinatra:  Summerwind**
Frank Zappa: Willie the Pimp 
Gary Wright:  Dream Weaver
George Benson:  On Broadway**
George Harrison:  Bangla Desh
George Thorogood:  Who Do You Love
George Thorogood:  One Bourbon...
Gladys Knight and The Pips:  Midnight Train to Georgia**
Gladys Knight and The Pips:  Neither One of Us**
Graham Nash:  Our House
Grand Funk Railroad:  An American Band
Grand Funk Railroad:  Some Kind of Wonderful
Gregg Allman:  I'm No Angel
Grinderwitch:  Homebound
The Guess Who:  American Woman
Harry Belafonte:  Jump In Line
Harry Chapin:  Cat's In The Cradle
Harry Nilsson:  Coconut**
Henry Paul Band:  Ghost
Jackie Dee Shannon:  What The World Needs Now Is Love**
Jackson Browne:  Running On Empty
Jackson 5:  I'll Be There
James Brown: Get up Offa That Thing
James Gang:  Funk #49
James Taylor:  Secret O' Life
James Taylor:  Fire and Rain**
James Taylor:  Sweet Baby James**
Janis Ian:  At Seventeen
Jeff Beck: Freeway Jam
Jeff Beck: Head for Backstage Pass
Jefferson Starship:  Miracles
Jerry Mungo:  In The Summertime
Jethro Tull:  Aqualung
Jethro Tull:  Thick as a Brick
Jethro Tull:  Songs from the Wood
Jethro Tull:  Cross-Eyed Mary
Jethro Tull:  A New Day Yesterday
Jim Croce:  Time In A Bottle**
Jimi Hendrix:  Hey Joe
Jimi Hendrix:  Wild Thing**
Jimi Hendrix:  Fire
Jimi Hendrix:  All Along the Watchtower
Jimmy Buffett:  Margaritaville**
Jive Bunny:  That's What I Like**
Jive Bunny:  Swing That Mood**
Joan Baez:  The Night They Drove Old Dixie Down
Joe Cocker:  A Little Help From My Friends**
Joe Tex:  I Gotcha
Joe Walsh:  Life’s Been Good
Joe Walsh:  Rocky Mountain Way**
Johnny Mathis:  Wonderful**
Johnny Nash:  I Can See Clearly Now**
Joni Mitchell:  Both Sides Now**
Joni Mitchell:  Chelsea Morning
Kansas:  Dust in the Wind
KC and The Sunshine Band:  I'm Your Boogie Man
KC and The Sunshine Band:  Get Down Tonight
Kiss:  Deuce

Kiss:  Firehouse
Kool and The Gang:  Jungle Boogie
Kirstie MacColl:  In These Shoes?
Led Zeppelin: I Gotta Move
Led Zeppelin: Over The Hills and Far Away
Led Zeppelin: Rock and Roll
Led Zeppelin: Communication Breakdown
Led Zeppelin:  The Ocean
Led Zeppelin:  Stairway to Heaven
Led Zeppelin: Nobody's Fault But Mine
Leon Russell:  Lady Blue
Les McCann and Eddie Harris:  Compared to What**
Little Feat:  Time Loves a Hero
Little Feat:  Juanita
Little Feat:  Fat Man in The Bathtub
The Lively Ones:  Surf Rider**
Looking Glass:  Brandy**
Lou Reed:  Intro/Sweet Jane
Lynyrd Skynyrd:  I Need You**
Lynyrd Skynyrd:  Sweet Home Alabama**
Lynyrd Skynyrd:  Gimme Three Steps
Lynyrd Skynyrd: On The Hunt
Lynyrd Skynyrd:  Aint No Good Life
Lynyrd Skynyrd:  What’s Your Name
Lynyrd Skynyrd:  Take Your Time
Lynyrd Skynyrd:  Cry For the Bad Man
Lynyrd Skynyrd:  That Smell
Mama's Pride:  Long Time
Marvin Gaye:  Let's Get It On
Marvin Gaye and Tammi Terrell:  Ain't No Mountain High Enough
Marshall Tucker Band:  24 Hours at a Time (Live Version)
Marshall Tucker Band:  Am I The Kind of Man
Marshall Tucker Band:  A New Life
Marshall Tucker Band:  Last of the Singing Cowboys
Marshall Tucker Band:  Running Like The Wind
The Moody Blues:  Nights in White Satin
Motorhead: Back at the Funny Farm
Nancy Sinatra:  Bang Bang (My Baby Shot Me Down)**
Nat King Cole:  L.O.V.E.**
Neil Young:  Don't Let It Bring You Down
Neil Young:  Old Man
Neil Young:  Mr. Soul
Nina Simone:  Feelin' Good**
Nirvana: (New Wave) Poly
Nirvana: Breed 

Norman Greenbaum:  Spirit in the Sky
The O’Jays:  Use Ta Be My Girl**
The O'Jays:  Backstabbers
The Osmonds:  One Bad Apple
The Outlaws:  Green Grass and High Tides**
Ozark Mountain Daredevils:  Jackie Blue
Parliament: Flashlight
Patsy Cline:  Crazy**
Paul McCartney:  Junior's Farm
Paul Simon:  Still Crazy
Paul Simon:  Diamonds in the Souls of My Shoes
Peggy Lee:  Fever**
Percy Sledge:  When A Man Loves A Woman
Peter Frampton:  I'm In You
Peter Frampton:  Do You Feel Like We Do
Pink Floyd:  Money
Pink Floyd: Wish You Were Here**
Pink Floyd:  Crazy Diamond
Pink Floyd: Time
Pink Floyd: Comfortably Numb
The Police:  Roxanne
Queen:  Tie Your Mother Down
Radiohead: I Might Be Wrong
Radiohead: Body Snatchers
Rage Against the Machine: The Ghost of Tom Joad

Redbone:  Come and Get Your Love**
Red Hot Chili Peppers: Slow Cheetah
Red Hot Chili Peppers: Freakey Styley
REO Speed Wagon:  Roll With the Changes
Richie Valens:  La Bamba**
Rick Nelson:  Garden Party
Righteous Brothers:  Lovin' Feeling
Rolling Stones:  Lets Spend the Night Together
Rolling Stones:  Waiting on a Friend
Rolling Stones:  (I Can't Get No) Satisfaction
Rolling Stones:  Honky Tonk Woman
Rolling Stones:  Brown Sugar
Rolling Stones:  Wild Horses**
Rolling Stones:  No Expectations
The Romantics:  What I Like About You**
Sam Cooke:  You Send Me**
Sam Philips:  I Need Love
Santa Esmeralda:   Don't Let Me Be Misunderstood**
Santana:  Soul Sacrifice
Santana:  Oye Como Va**
Santana:  Black Magic Woman**
Santana:  Europa
Sly and The Family Stone:  Family Affair**
Smiley Lewis:  I Hear You Knockin'**
Spinners:  Working My Way Back**
Spinners:  Forgive Me Girl**
Stan Getz/Joabim: Girl From Impanema**
Staple Singers:  I’ll Take You There**
The Statler Brothers:  Flowers on the Wall**
Stealers Wheel:  Stuck In The Middle With You**
Steely Dan: Black Friday**
Steely Dan: Sign in Stranger**
Steely Dan: Kid Charlemagne**
Steppenwolf:  Born to be Wild
The Steve Miller Band:  The Joker
The Steve Miller Band:  Swingtown
Stevie Wonder:  You Are The Sunshine of My Life**
Stevie Wonder:  Superstitious**
Stevie Wonder:  For Once In My Life
Stevie Wonder:  Just Enough for The City**
Stories:  Brother Louie**
Styxx:  Come Sail Away
Sugarloaf:  Green-Eyed Lady**
Supertramp:  School**
Supertramp:  Bloody Well Right
Supertramp:  Goodbye Stranger
Supertramp:  Take The Long Way Home
The Temptations:  My Girl**
The Temptations:  The Way You Do The Things You Do**
The Temptations:  Papa Was A Rolling Stone**
.38 Special:  Travellin' Man
.38 Special:  Hold On Loosely
.38 Special:  Caught Up In You
Three Dog Night:  Joy To The World**
Three Dog Night:  Mama Told Me Not To Come**
Tom Petty and The Heartbreakers:  American Girl**
Tony Bennett:  Volare**
Tony Bennett:  Steppin' Out With My Baby
Tower of Power:  Don’t Change Horses in the Middle of the Stream
Van Morrison:  Brown Eyed Girl**
Van Morrison:  Caravan**
Van Morrison:  Crazy Love**
Van Morrison:  Moon Dance**
Van Morrison:  Wild Nights**
Van Morrison:  The Way You Look Tonight**
Van Morrison:  Wavelength
Vince Guaraldi:  O Tannenbaum**
Vince Guaraldi:  Linus and Lucy**
Vince Guaraldi:  My Little Drum**
Vince Guaraldi:  Christmas Time is Here**
Vince Guaraldi:  Skating**
Vince Guaraldi:  The Christmas Song**
Vince Guaraldi:  Fur Elise**
War with Eric Burden:  Spill The Wine**
Wild Cherry:  Play That Funky Music
White Stripes: Ikcy Thump
The Who:  My Generation
The Who:  Tommy
The Who:  Baba O'Riley
The Who:  Getting in Tune
Winters Brothers Band:  Sang Her Love Songs
Winters Brothers Band:  I Can't Help It
X: Burning House of Love
Yes:  America
ZZ-Top:  Tush
ZZ-Top:  Sharp Dressed Man



Rhumba - 10th Reunion
 
 

Rock's Oldest Joke: Yelling 'Freebird!'
In a Crowded Theater

It's a Request, a Rebuke,
A Cry From the Heart,
A Tribute to Skynyrd
By JASON FRY
THE WALL STREET JOURNAL ONLINE
March 17, 2005

One recent Tuesday night at New York's Bowery Ballroom, the Crimea had just finished its second song. The Welsh quintet's first song had gone over fairly well, the second less so, and singer/guitarist Davey MacManus looked out at the still-gathering crowd.

Then, from somewhere in the darkness came the cry, "Freebird!"

It made this night like so many other rock 'n' roll nights in America.

"Freebird" isn't the Crimea's song; it's from the 1973 debut album by legendary Southern rockers Lynyrd Skynyrd. The band's nine-minute march from ruminative piano to wailing guitar couldn't be less like the Crimea's jagged punk-pop. But it was requested nonetheless.

Somebody is always yelling out the title. "I don't know that I've ever seen a show where it hasn't happened," says Bill Davis of the veteran country-punk band Dash Rip Rock.

"It's just the most astonishing phenomenon," says Mike Doughty, the former front man of the "deep slacker jazz" band Soul Coughing, adding that "these kids, they can't be listening to Lynyrd Skynyrd."

Yelling "Freebird!" has been a rock cliché for years, guaranteed to elicit laughs from drunks and scorn from music fans who have long since tired of the joke. And it has spread beyond music, prompting the Chicago White Sox organist to add the song to her repertoire and inspiring a greeting card in which a drunk holding a lighter hollers "Freebird!" at wedding musicians.

Bands mostly just ignore the taunt. But one common retort is: "I've got your 'free bird' right here." That's accompanied by a middle finger. It's a strategy Dash Rip Rock's former bassist Ned Hickel used. According to fans' accounts of shows, so have Jewel and Hot Tuna's Jack Casady. Jewel declines to comment. Mr. Casady says that's "usually not my response to those kind of things."

Others have offered more than the bird. On a recent live album, Modest Mouse's Isaac Brock declares that "if this were the Make-a-Wish Foundation, and you were going to die in 20 minutes -- just long enough to play 'Freebird' -- we still wouldn't play it." Dash Rip Rock often plays "Stairway to Freebird," a mash-up of the Skynyrd epic and Led Zeppelin's "Stairway to Heaven" that Mr. Davis boasts lasts "less than two minutes. ... You're finished before people get mad."

A few years ago, Mr. Doughty started promoting the Weather Girls' "It's Raining Men" as the new "Freebird," asking audiences at his solo shows to call for the disco chestnut instead. Now, he says, he gets yells for both songs at every performance.

A harsh reaction to "Freebird" came from the late comedian Bill Hicks during a Chicago gig in the early 1990s. On a bootleg recording of the show, Mr. Hicks at first just sounds irked. "Please stop yelling that," he says. "It's not funny, it's not clever -- it's stupid."

The comic soon works himself into a rage, but the "Freebirds" keep coming. "Freebird," he finally says wearily, then intones: "And in the beginning there was the Word -- 'Freebird.' And 'Freebird' would be yelled throughout the centuries. 'Freebird,' the mantra of the moron."

How did this strange ritual begin? "Freebird" is hardly obscure -- it's a radio staple consistently voted one of rock's greatest songs. One version -- and an important piece of the explanation -- anchors Skynyrd's 1976 live album "One More From the Road." On the record, singer Ronnie Van Zant, who was killed along with two other bandmates in a 1977 plane crash, asks the crowd, "What song is it you want to hear?" That unleashes a deafening call for "Freebird," and Skynyrd obliges with a 14-minute rendition.

To understand the phenomenon, it also helps to be from Chicago. When asked why they continue to request "Freebird," Mr. Hicks's tormentors yell out "Kevin Matthews!"

Kevin Matthews is a Chicago radio personality who has exhorted his fans -- the KevHeads -- to yell "Freebird" for years, and claims to have originated the tradition in the late 1980s, when he says he hit upon it as a way to torment Florence Henderson of "Brady Bunch" fame, who was giving a concert. He figured somebody should yell something at her "to break up the monotony." The longtime Skynyrd fan settled on "Freebird," saying the epic song "just popped into my head."

Mr. Matthews says the call was heeded, inspiring him to go down the listings of coming area shows, looking for entertainers who deserved a "Freebird" and encouraging the KevHeads to make it happen.

But he bemoans the decline of "Freebird" etiquette. "It was never meant to be yelled at a cool concert -- it was meant to be yelled at someone really lame," he says. "If you're going to yell 'Freebird,' yell 'Freebird' at a Jim Nabors concert."

Still, Mr. Matthews treasures his trove of recorded "Freebird" moments -- such as baffled comedian Elayne Boosler wondering why the audience is shouting "reverb." And he argues that good bands simply acknowledge it and move on. "The people who are conceited, the so-called artists who get really offended by it, they deserve it," he says.

But did "Freebird" truly start with the KevHeads? Longtime Chicago Tribune music writer Greg Kot says he remembers the cry from the early 1980s. He suggests it originated as an in-joke among indie-rock fans "having their sneer at mainstream classic rock."

Other music veterans think it dates back to 1970s audiences' shouts for it and other guitar sagas, such as "Whipping Post," by the Allman Brothers Band, and "Smoke on the Water," by Deep Purple.

They may all be right: It's possible "Freebird" began as a rallying cry for Skynyrd Nation and a sincere request from guitar lovers, was made famous by the live cut, taken up by ironic clubgoers, given new life by Mr. Matthews, and eventually lost all meaning and became something people holler when there's a band onstage.

But as with many mysteries, the true origin may be unknowable -- cold comfort for bands still to be confronted with the inevitable cry from the darkness. For them, here's a strategy tried by a brave few: Call the audience's bluff. Phish liked to sing it a cappella. The Dandy Warhols play a slowed-down take singer Courtney Taylor-Taylor describes as sung "like T. Rex would if he were on a lot of pills." And Dash Rip Rock has performed the real song in order to surprise fans expecting the parody. For his part, Mr. Doughty suggests that musicians make a pact: Whenever anyone calls for "Freebird," play it in its entirety -- and if someone calls for it again, play it again.

"That would put a stop to 'Freebird,' I think," he says. "It would be a bad couple of years, but it might be worth it."

So what do the members of Skynyrd think of the tradition? Johnny Van Zant, Ronnie's brother and the band's singer since 1987, says "it's not an insult at all -- I think it's kind of cool. It's fun, and people are doing it in a fun way. That's what music's supposed to be about."

Besides, Mr. Van Zant has a confession: His wife persuaded him to see Cher in Jacksonville a couple of years ago, and he couldn't resist yelling "Freebird!" himself. "My wife is going, 'Stop! Stop!' " he recalls, laughing. "I embarrassed the hell out of her."
(Courtesy of Kenny Dahl)


Donna Duchene, Karen Vangor, Jill Tully, Rose Repicky (February 1976)
 

Another Somebody Sung Somebody's Song Wrong

Hey, You'll Always Play the Hits Just Like You Heard 'Em

By Paul Farhi
Washington Post Staff Writer
Sunday, June 8, 2008

Okay, here it comes again, that part toward the end of the Creedence Clearwater song, "Looking Out My Back Door," when John Fogerty sings, "Ann-Marie's an elephant, a-playin' in the band/Won't you take a ride on a flyin' spool . . ."

The mind reels. How delightful: A musical elephant named Ann-Marie (I wonder what instrument she plays). And taking a ride on a flyin' spool? Sounds thrilling, though perhaps a bit tricky and dangerous.
Only I'm pretty certain that's not what Fogerty is singing. Like dozens, maybe hundreds of pop songs I've been singing along with, I know I'm mangling those lines, and have -- can it be? -- for decades.
Back when, the only way to puzzle out a misunderstood lyric was to buy the album and check the lyric sheet or liner notes (you remember albums, don't you, kids?). For more than a decade, it's been easy and free. Tap a few keystrokes into one of the many lyric sites on the Internet, and the words become as clear as sheet music.

But really, why would anyone want to do that? Why would anyone bother to tamper with one's golden, screwed-up, misheard lyrics? Why bother with fastidious exactitude now, after you've been singing it your way at least 6,587 times?Music is personal, even when it's being consumed by millions of other people. You never lose the songs that seeped into your head at a certain age. They are forever linked to a time, a place, experiences. The associations are vivid: whom you knew, whom you hated, whom you had a crush on. Clothes, food, smells all come rushing back. If you correct what you thought you heard, you pull on the thread of memory, disturbing the entire fabric.You are, on some level, what you mishear. "

Any misheard lyric is an impromptu Rorschach test," writes Gavin Edwards, who has collected misheard lyrics in several volumes of amusingly named volumes (" 'Scuse Me While I Kiss This Guy," "He's Got the Whole World in His Pants," etc.).
When I hear "Beast of Burden," in my mind, it's the summer, and I'm a teenager painting houses again. As the strokes go back and forth in the heat, Mick and I sing the bridge part together: "Yeah, all your sisters, I can suck a duck . . ." Never understood that line. And I know it isn't right. And I don't care.Or maybe I'm driving down the coast highway in my first car, to my first real job. It's 6 in the morning (early shift), and I push the cassette into the dashboard. And that staccato bass starts to come up with the sun. And the Knack guy sings -- or so I thought then and now -- "Is it just a matter of time, Sharona?/Is it just a debt to be, a debt to me/Or is it just in my mind, Sharona?" It doesn't quite make sense. And yet it's perfect.This Pavlovian response mechanism also works with songs you can't stand. Maybe it works even better with songs you hate because -- and I'm sure brain scientists will back me up on this -- songs you hate bore even deeper into your consciousness than songs you love. I've had a nagging suspicion all these years that the lyrics to "Dancing Queen" don't go: "Night is young and the music's high/We can do the Watusi/Everything's fine . . .  But I like it better that way. I mean, she's a dancing queen, so surely she'd know how to do the Watusi. Come to think of it, other people's mishearings can be just as endearing as one's own. I will never be able to hear Hammer's "2 Legit 2 Quit" without thinking of my son, 5 or 6 at the time, doing his Hammer moves and enthusiastically chanting, "Do the jet! Do the bella kwee! Hey, hey!"

On the few occasions when I've checked, a song's actual lyrics turn out to be less interesting that my mistaken understanding of them. Bob Seger is actually singing, "Call me a relic, call me what you will" on "Old Time Rock & Roll." But I prefer my misinterpretation: "Call me a rabbit, call me what you will . . . "
The apparent name for this phenomenon is mondegreens, a word coined by writer Sylvia Wright in the 1950s to describe her childhood misreading of an old Scottish folk song that referred, or so she thought, to "Lady Mondegreen." Instead, the song described the slaying of a noble and the townspeople who "laid him on the green."The all-time greatest mondegreen may be "Louie, Louie." The song has been recorded by hundreds of artists, but I refer here to the 1963 hit by the Kingsmen. When the song came out, some parents thought lead singer Jack Ely's slurring of the lyrics masked indecent or obscene statements. The resultant uproar led to a federal investigation. "Louie" is actually a sweet story of a homesick sailor who longs to return to his girlfriend ("A fine girl, she wait for me/Me catch the ship across the sea . . . ").A somewhat similar controversy broke out a few years later with "I Am the Walrus," the Beatles classic from "Magical Mystery Tour." The acid-trip-inspired tune contains a spacey, distorted chant at the end that some people to this day swear is "Everybody smokes pot" and others insist is a repeated obscene comment. 

I'd argue that "Benny and the Jets" is a close second to "Louie" in the mondegreen sweepstakes. Elton John's 1973 hit is so incomprehensibly sung that only a few of its lyrics ("B-b-b-b-Benny and the Jets!") are actually understandable without liner notes or sensitive sonic equipment some 35 years after the fact. I am pleased to report that this song is still mystifying people, as evidenced by a brief scene in the recent movie "27 Dresses," in which the characters argued over the lyrics.Anyway, here, among the many mangled verses, is what I think I'm hearing:Oh, it's a-weird and s'wonderful.I'll fancy the ready cane.She's gotta let me moveI know how, too . . .You know I read a little pack of 'zines.I'll grant you that Elton's actual lyrics are probably better than my own. But that doesn't matter to me. My understanding of "Benny" is locked in adolescence and hasn't grown at all over the years. I'm very proud of that.

I mean, finding the real lyrics now would be like finding that some other long-cherished artifice of memory wasn't strictly true, as if your dad wasn't really that strong or your first girlfriend, really, wasn't all that pretty. All this may be literally true. But that's the problem with the literal truth: It has very little poetry. And it sure as heck ain't got no soul.
(Courtesy of Kenny Dahl)


Floody Waters
There is music in the beauty, and the silent note which Cupid strikes, far sweeter than the sound of an instrument:  for there is music wherever there is harmony, order or proportion...
Thomas Browne

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